Contexts

Author-Title Citation Index

All of the essays are peer-reviewed and copy-edited as contextualizing papers for the conference, Performance as Research in Early Modern English Studies: The Three Ladies of London in Context (23-25 June 2015) at McMaster University, convened by Melinda Gough and Helen Ostovich, English and Cultural Studies, and supported by SSHRC and the John Douglas Taylor Conference fund, as well as McMaster University, University of Waterloo, and University of Toronto.

We anticipate that all essays (whether expanded or left as notes) will be posted for a second publication on Queen’s Men Editions, for the forthcoming old-spelling and modern critical editions (Q1 and Q2) of The Three Ladies of London, eds Jessica Dell and Chantelle Thauvette. http://qme.internetshakespeare.uvic.ca/. In progress.



Bevington, David, ‘The Ideals of Christian Charity and Forgiveness in Robert Wilson’s Three Ladies of London and in the Anonymous The Play of the Sacrament’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/DavidBevington.htm.

Billing, Christian (Keynote Speaker), ‘Historiography, Rehearsal Processes, and Performance as Translation; or, How to Stage Early Modern English Drama Today?’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/par/ChristianMBilling.htm.

Brown, Pamela Allen, ‘Courtesan, Merchant, Zany: Italian Knockoffs in The Three Ladies of London’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/PamelaBrown.htm.

Conkie, Rob (Keynote Speaker), ‘“Fain would I dwell on form”: Performance / Publication / Pedagogy’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/par/RobConkie.htm.

Cunningham, Karen, ‘Robert Wilson’s Legal Imaginary’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/KarenCunningham.htm.

Dell, Jessica, ‘Classroom Performance of Robert Wilson’s The Three Ladies of London: A Case Study ’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/JessicaDell.htm.

Dessen, Alan C., ‘Staging Allegory in The Three Ladies of London’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/AlanDessen.htm.

Ebrahim, Fatima Farida, ‘Baubles for Bell-Metal: English Anxieties about Trade and Traffic in The Three Ladies of London’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/FatimaEbrahim.htm.

Hanson, Elizabeth, ‘Early Modern Pedagogy and The Three Ladies of London’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/ElizabethHanson.htm.

Hirsch, Brett D., ‘Much Ado About Gerontus, or The Three Ladies of London and the Jews’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/BrettHirsch.htm.

Hopkins, Lisa, ‘Gerontus and Early Modern Dramatic Representations of Jews’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/LisaHopkins.htm.

Ingram, Anders, ‘Turks, Trade, and Turning’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/AndersIngram.htm.

Jenkins, Jacqueline, ‘Practice-based Research and Early Period Theatre Histories: A Performance Methodology’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/par/JacquelineJenkins.htm.

Jenstad, Janelle, ‘The Space(s) of London in Three Ladies of London, or, Where is the Parsonage of St. Nihil?’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context.

Johnson, Sarah, ‘The Three Ladies of [Sixteenth-Century] London in Twenty-First-Century Hamilton’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/SarahJohnson.htm.

Jowitt, Claire, ‘Performing Gender in Robert Wilson’s The Three Ladies of London’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/ClaireJowitt.htm.

Kelly, Erin, ‘Anti-Catholicism and Protestant Polemic in Robert Wilson’s Three Ladies of London’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/ErinKelly.htm.

Kermode, Lloyd Edward, ‘Simple Judgment and The Three Ladies of London’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/LloydKermode.htm.

Kesson, Andy, ‘Acting out of Character: a Performance-as-Research Approach to The Three Ladies of London’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/par/AndyKesson.htm.

Knutson, Roslyn L. (Play Reviewer), ‘The Performances of The Three Ladies of London and 1 Henry VI as Research in Theatre History’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/RoslynKnutson.htm.

Levin, Carole, ‘Queen Elizabeth I’s Reign in the 1580s and 1590s’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/CaroleLevin.htm.

Lopez, Jeremy, ‘The Poetry and Prosody of Robert Wilson’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/JeremyLopez.htm.

Martin, Mathew R., ‘Religious Tolerance in Wilson and Marlowe’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/MathewMartin.htm.

McKeown, Roderick, ‘The Three Ladies of London and the Pre-History of City Comedy’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/RoderickMcKeown.htm.

McInnis, David, ‘Robert Wilson and Lost Plays’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/DavidMcInnis.htm.

Melnikoff, Kirk, ‘From the Talbot to Duck Lane: The Early Publication History of Robert Wilson’s The Three Ladies of London’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/KirkMelnikoff.htm.

Nakawaki, Bryan and Paul Whitfield White, ‘Robert Wilson’s Three Ladies of London and Three Lords and Three Ladies of London: A Comparison’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/NakawakiWhite.htm.

Ostovich, Helen, ‘Doubling Love’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/HelenOstovich.htm.

Palmer, Daryl, ‘What We Talk about When We Talk about Hospitality in Robert Wilson’s The Three Ladies of London’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/DarylPalmer.htm.

Quarmby, Kevin, ‘Enactment and Exegesis: Recontextualizing Wilson’s The Three Ladies of London through Performance as Research’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/par/KevinQuarmby.htm.

Rycroft, Eleanor (Play Reviewer). ‘The Three Ladies of London: a critical play review’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/EleanorRycroft.htm.

Salkeld, Duncan, ‘Ladies of London: Prostitution in the 1570s’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/DuncanSalkeld.htm.

Semple, Edel, ‘Playing the Whore: Performing and Contextualizing Prostitution in The Three Ladies of London’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/EdelSemple.htm.

Skura, Meredith (Play Reviewer). ‘Testing Theories of Allegorical Performance in The Three Ladies of London’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/MeredithSkura.htm.

Swain, Jessica, with Helen Ostovich, ‘Emblems: Early Modern Thinking Illustrated?’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/emblems.htm.

Steggle, Matthew, ‘The Monster in the Corner: Plague and The Three Ladies of London’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/MatthewSteggle.htm.

Stevens, Andrea, ‘The Spotting of Lady Conscience in The Three Ladies of London’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/AndreaStevens.htm.

Thauvette, Chantelle, Script Editor based on Q2 (1592).

Thomson, Leslie, ‘“As it hath been publiquely played”: The Stage Directions and Original Staging of The Three Ladies of London’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/LeslieThomson.htm.

Vitkus, Daniel, ‘“Consider the lamentable cry of the poor”: Foreign Parasites, English Usurers, and Economic Crisis in The Three Ladies of London’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/DanielVitkus.htm.

White, Paul Whitfield, ‘Wilson, Tarlton, and the Scourge of Simony in Elizabethan Drama’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/PaulWhite.htm.

Wong, Katrine, ‘A Dramaturgical Study of Conscience’s Broom Song in The Three Ladies of London’, Performance as Research in Early English Theatre Studies: The Three Ladies of London in Context, http://threeladiesoflondon.mcmaster.ca/contexts/KatrineWong.htm.